108 cups in 108 days
After a series of tragedies, illness and misunderstandings, Ceramic Artist Pam Gray decided to stop everything and focus on healing by reconnecting with nature and herself.
Taking her extensive knowledge of yoga and meditation, and combining it with the seemingly simple act of creating small, yet functional ceramic cups, she transformed her daily practice into artistic expression.
This book documents each cup and the brief thoughts, mantras and verses that came to her as she shaped them.
Author Bio:
Pam Gray is a ceramics artist, yoga instructor and writer living in the Perth hills, Western Australia.
She draws upon nature in mindful moments as her biggest inspiration, spending many a day floating in her local rivers, hiking, foraging, creating art and working with clay.
Pammy believes it is important for her to depict the humanity in the art she creates, leaving behind the technological conveniences of electric throwing wheels and over glazing. She hand builds her pieces, seeking to expose the true nature of the forms and the clay, allowing them to look as if they have been born of the earth, instead of machine manufactured.
108 cups in 108 days
After a series of tragedies, illness and misunderstandings, Ceramic Artist Pam Gray decided to stop everything and focus on healing by reconnecting with nature and herself.
Taking her extensive knowledge of yoga and meditation, and combining it with the seemingly simple act of creating small, yet functional ceramic cups, she transformed her daily practice into artistic expression.
This book documents each cup and the brief thoughts, mantras and verses that came to her as she shaped them.
Author Bio:
Pam Gray is a ceramics artist, yoga instructor and writer living in the Perth hills, Western Australia.
She draws upon nature in mindful moments as her biggest inspiration, spending many a day floating in her local rivers, hiking, foraging, creating art and working with clay.
Pammy believes it is important for her to depict the humanity in the art she creates, leaving behind the technological conveniences of electric throwing wheels and over glazing. She hand builds her pieces, seeking to expose the true nature of the forms and the clay, allowing them to look as if they have been born of the earth, instead of machine manufactured.
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